![]() Henri Cartier-Bresson, one of my favorite photographers, used it as he capture life as it happened. ![]() Ansel Adams used it often in his the landscape portraits that he captured. Many famous photographers are known for their use of the golden ratio in photography. The Fibonacci spiral is one of the main ways photographers can use the golden ratio in photography. We can use this to our advantage in our images as well.īelow is the diagram that details the Fibonacci spiral with the main 1:1.618 lines. It is well known by marketers who understand by following the golden ratio, people are more likely to view their products as favorable. Take notice, and you will see the golden ratio and Fibonacci spiral everywhere from the products you buy, to companies logos, to architecture. This spiral is prolific in nature, most notably in the shell of the Nautilus.Ĭheck out this video, it is a wonderful illustration of the golden ratio occurring in nature. Look at figure below to see the spiral inside the golden rectangle. The spiral is created by drawing circular arcs from opposite corners of each square. The area of each of the newly formed squares is a sum of an equation in the Fibonacci sequence, and from this, we get the Fibonacci spiral which is what many artists use today as their main compositional technique. Looking back to the golden rectangle, as I begin to add smaller golden rectangles inside the larger ones, something surprising happens. Stay with me now, because we are not going to delve any more into math, so don’t quit reading on me! ![]() Take both of their sums, 13 and 21 and divide the largest by the smallest and you get an number very close to 1.618.ĭo this with any of the sums in the Fibonacci sequence and you find the same thing. Look below.ĥ+18=13 and 8+13=21 are right next to each other in the Fibonacci sequence. When you do this, you get a number very close to the golden ratio. The beauty of this chain of numbers is found when you take any two of the sums next to each other and divide the larger by the smaller. He then continued taking the two previous answers and added them together to form this chain of numbers you see below. He took the numbers 0 and 1 and added them together to get 1. In 1200AD, a mathematician named, Leonardo Fibonacci, discovered what is now known as the Fibonacci sequence which helped take the golden ratio even further. By adding another vertical line to the golden rectangle, you will have a very close facsimile of the rule of thirds. Some have called the rule of thirds an oversimplified version of the golden ratio, and if you think about it, you can see why. Read more about the golden ratio in architecture here. This shape is used often in both modern and ancient architecture, the most famous being the Parthenon. We do this, by taking the long side of the line that we labeled A, and matching that length to form the shorter sides of the rectangle. Let’s first construct what is called a golden rectangle. The easiest place to see this on the human body is with the arm, although there are many other parts of the human body that follow the golden ratio.įor artists, the power of the golden ratio begins as this ratio is applied to other shapes. If we follow the golden ratio, it would look like the image below, where A is the long side (1.618) and B is the shorter side (1). To see and understand the golden ratio, let’s take a line and divide it into two sections. It truly is all around us, including in our own bodies. Beethoven uses it in his famous fifth Symphony. Artists have used this ratio for centuries to create works of art from paintings to architecture. The golden ratio is a ratio of approximately 1.618 to 1. You may be familiar with one or more of these terms, but don’t be confused.Įach of these uses the golden ratio in a different way to create art, images and architecture that is pleasing to the human eye. Some of the names you might be familiar with are: the golden mean, phi, Fibonacci spiral, or the divine proportion. To start, understand that the golden ratio is applied to your images in many different ways and is known by many different names. However, if you can, the quality and appeal of your images will grow exponentially. I say this in jest, as I hope you know, but the fact of the matter is that this compositional rule can be difficult to grasp and even harder to add into your images. If not, don’t even think about reading more. If you’re ready to move past just placing your subject on a thirds line and calling it composition, read on. All important, but they don’t capture the eye like the golden ratio.
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